W is for the Wheel of Time series by Robert Jordan (or James Oliver Rigney, Jr., his real name). The release of the books spans 23 years, or nearly 30 years if you start from when Jordan began working on The Eye of the World in 1984 (published January 1990) until Book 14, A Memory of Light, concluded the series in January 2013.
Due to Robert Jordan’s death from cardiac amyloidosis in 2007 before the final volume could be released, Brandon Sanderson completed the series using notes and recordings Jordan had made, though Sanderson and Harriet McDougal (both Jordan’s editor and his wife) decided to do what Jordan had tried to avoid, namely to split Book 12 into three books.
The series is as long and as complex as no other (that I know of), with a cast of so many people it was sometimes hard to keep up with who was who without consulting a wiki. In fact, I found some of the “middle books” quite tedious to read, because, as interesting as the story was, the “main main characters” were getting about one or two chapters per book and the story got caught up in so many side-plots that it was getting a little annoying. However, it’s worth sticking with the story, as the plot threads come together nicely again in the later books.
As I mentioned in my post for “B-Day” in the A to Z Challenge, I love book series, and I love thick books with many pages and details galore (as long as it’s well-written and interesting, of course). I don’t think there’s much (any?) competition for Jordan’s series when it comes to length and page- or word-count. The total word-count for The Wheel of Time is over 4.4 million (yes… million), with a couple of books getting close to the 400k mark. I can only imagine how difficult it must be to keep track of all these characters and plot threads over such a long time.
Many references to mythology and legends from a number of cultures can be found throughout the series, including of course the reference to the concept of time being cyclical, with several ages repeating themselves over and over, from Hindu mythology. The attentive reader can find references such as tales of the great giants, “Mosk and Merc”, battling with spears of fire (Mosk being Moscow, and Merc being America). (There are many more such references if you’re interested.)
The world Jordan created is rich in detailed history and a variety of cultures. Although the epic storyline builds up to an inevitable Tolkien-style face-off between the forces of good and evil, Jordan’s sense of humour and his ability to make this rich fantasy world seem utterly believable pervade every chapter.
If you haven’t read this series, you’re missing the benchmark against which other fantasy works are measured.